In the Nature of Materials |
|
Robert Arneson. Jackson Pollock. 1983. |
"I can't understand why people are frightened of new ideas. I'm frightened of the old ones." - John Cage |
Postmodernism = name for many stylistic reactions to, and developments from, modernism. Postmodern style is often characterized by eclecticism, digression, collage, pastiche, and irony. Postmodern art is seen as a reversal of well-established modernist systems, such as the roles of artist vs. audience, seriousness vs. play, or high culture vs. kitsch. |
|
Historic
Context |
||
1957 |
Soviet Union launches Sputnik I starting the "Space Race" |
Elaine De Kooning. John F. Kennedy. 1963. |
1961 |
John F. Kennedy becomes President |
|
East Germany begins building the Berlin Wall |
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First contraceptive pill made available to the public |
||
First Soviet manned space flight |
||
1962 |
First US manned space flight |
|
Cuban missle crisis |
||
Death of Marilyn Monroe |
||
1963 |
Race riots in Birmingham, Alabama |
|
Assassination of John F. Kennedy |
||
1964 - 1973 |
Vietnam War |
|
1965 |
Assassination of Malcolm X |
|
1966 |
Foundation of the National Organization of Women |
|
1967 |
Che Guevarar killed in Bolivia |
|
1968 |
Assassination of Martin Luther King |
|
1969 |
Neil Armstrong becomes first man to walk on the moon |
|
Richard Nixon becomes President |
||
Claes Oldenburg in The Store |
“What I see is not the thing itself but – myself – in its form.” – Oldenburg |
1961 - 1963 exhibited and sold his work at The Store |
|
"The
goods in the stores: clothing, objects of every sort, and the boxes
and wrappers, signs and billboards- for all these radiant commercial
articles in my immediate surroundings I have developed a great affection
which has made me want to imitate them." - Claes Oldenburg |

Claes Oldenburg. Pie a la Mode. 1962.

Claes Oldenburg. Dual Hamburgers. 1962.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice Hall, Upper Saddle River, NJ, 2002.
"The erotic or the sexual
is the root of art." - Claes Oldenburg |
||
![]() Claes Oldenburg. Floor Cake. 1962. 4' 10" X 9' 6" X 4' 10". http://academics.smcvt.edu/gblasdel/art/C.%20Oldenburg,%20Floor%20Cake.jpg |
Claes Oldenburg. Soft Dormeyer
Mixer. 1965. |
Claes Oldenburg. Notebook page: Dormeyer Mixer. 1965. |

Claes Oldenburg. Soft Dormeyer Mixers- "Ghost" Version. 1965.
|
Pop Art = art movement of the 1960s
that dealt with images from mass culture |
|
1947 |
10,000 televisions in U.S. homes |
|
1957 |
40 million televisions in U.S. homes |
|
1962 |
Average American exposed to 1600 advertising images a day |
|
| Today | "The average American is exposed to about 3000 advertising messages a day, and globally corporations spend over $620 billion each year to make their products seem desirable and to get us to buy them." - Union of Concerned Scientists http://www.ucsusa.org/ |
|
Eduardo Paolozzi. Real Gold. 1950. 14" X 19" collage. |
|
I think that I shall never see |
|
A billboard lovely as a tree. |
|
Perhaps unless the billboards fall, |
|
I'll never see a tree at all. |
|
- Ogden Nash |
|
"Pop
should be: Popular (designed for a mass audience), Transient (short-term
solution), Expendable (easily forgotten), Low-cost, Mass-produced, Young
(aimed at youth), Witty, Sexy, Gimmicky, Glamorous, Big Business" |
Richard Hamilton. Just what
is it that makes today's homes so different, so appealing? 1956. |
Hamilton's
sources: |
|
Ceiling
= teleschopic view of the moon |
|
Window view
= movie marquee advertising Al Jolsen in the Jazz Singer |
|
Painting
= framed page from a romance comic strip |
|
Lamp shade
= Ford emblem |
|
Stairs =
Hoover vacuum ad |
|
Rug = blown
up image from Weegee
photo of people on the beach |
The Dance: The History of American Minstrelsy
KCET interview with Aaron White and Jason Christopher White

Andy Warhol. 32 Campbell's Soup Cans. 1961 - 62. Acrylic on canvas.

Andy
Warhol. Brillo Boxes. 1963, reproduced 1969.
Norton Simon Museum. Handbook of the Norton Simon Museum. Pasadena, California: Norton Simon Museum, 2003.
Pop Art
was anti-Greenbergian formalism |
Andy Warhol. Kellogg's Corn Flakes. |
Disdained
Ab Ex celebration of the individual |
|
Embraced
low art and kitsch |
|
Rejected
the preciousness of the painting |

Andy Warhol. Gold Marilyn Monroe.
1962.
http://www.acrstudio.com/projects/word/queeringmoma/Warhol_Gold-Marilyn2.jpg

Andy Warhol. Marilyn Monroe's
Lips. 1962.
http://beforeourheartsexplode.files.wordpress.com/2009/03/marilyns_lips.jpg


Andy Warhol. 200 One Dollar Bills. 1962.
http://www.artinfo.com/media/image/163761/8592-Warhol-200-One-Dollar-.jpg
Roy Lichtenstein. Blam. 1962. |
In the 1960s, Structuralism took over Existentialism as the dominant philosophy |
Structuralism
= philosophical approach that analyzes society by looking at cultural
phenomena, particularly signs, that have hidden underlying meanings
that can be decoded |
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|
|
Roy Lichtenstein. Masterpiece.
1962. Oil on canvas. Getlein, Mark. Gilbert's Living With Art. Sixth edition. Boston: McGraw Hill, 2002. |
Roy Lichtenstein. Drowning Girl.
1963. (detail) |
Roy Lichtenstein. Drowning Girl. 1963. |
James Rosenquist. The Serenade for the Doll after Claude Debussy, Gift Wrapped doll #8. 1992. |
Despite their popular imagery, Pop artists betray an interest in formal aesthetics |
|
Large scale makes representational images abstract-like |
|
Allover compositions |
|
Slick technique emphasizes the flatness of the picture plane |
|
"We
are attacked by radio and television and visual communications
at
such a speed and with such a force that painting
now seems very old- fashioned
why shouldn't it be done with that power and gusto
[of advertising], with that impact." - James Rosenquist |
James Rosenquist. I Love You
with My Ford. 1961. 82" X 93". |

James Rosenquist. F-111. 1965. 10' X 86'.

F-111 installed at MOMA
http://media2.moma.org/collection_images/resized/626/w500h420/CRI_97626.jpg
West Coast
Pop (a.k.a. California
Funk movement) |
|
funk = bad smelling |
|
California
Funk movement defined by Berkeley's Art Museum Director, Peter
Selz as being "hot rather than cool, committed rather than disengaged,
bizarre rather than formal, sensuous and frequently quite ugly."
|
|
Andy Warhol. Gold Marilyn Monroe. 1962. |
Ed
Kienholz. The Illegal Operation. 1962. |
Ed Kienholz
1927 - 1994

Ed Kienholz. Roxy's. 1961.
http://kunst.gymszbad.de/zab2006/ts-1/kienholz/kienholz-roxys-1961-xl.jpg
Installation
art = art that uses sculptural materials and other media to modify a
particular space. It is not necessarily confined to a gallery or museum
space and often incorporates the viewer into the work. |
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Ed and Nancy Kienholz. The State Hospital (exterior). 1966. http://noskoff.lib.ru/pina/KIENHOLZ/state_hospital_exterior_1964.jpg |
Ed and Nancy Kienholz. The State Hospital (interior). 1966. Upshaw, Reagan. "Scavenger's Parade." Art in America. October 1996: 98 -107. |

Ed Kienholz. The State Hospital
tableau. 1966.
Upshaw, Reagan. "Scavenger's Parade." Art in America. October 1996: 98 -107.
1966 Kienholz's first retrospective held at LACMA

Ed
Kienholz. Back Seat Dodge '38. 1964.
http://noskoff.lib.ru/pina/KIENHOLZ/back_seat_dodge_1964.jpg

Ed Kienholz. Five Car Stud. 1969 - 1972.
http://latimesblogs.latimes.com/culturemonster/2011/09/the-power-of-ed-kienholz-five-card-stud.html
Robert Arneson
1930 - 1992

Robert Arneson. John with Art. 1964.
"I really thought about the ultimate ceramics in western culture, so I made a toilet." - Robert Arneson

Robert Arneson. The artist in his studio. 1978.

Robert Arneson. George Muscone.
1981.
Lazzari, Margaret and Dona Schlesier. Exploring
Art: A Global, Thematic Approach. Second edition. Australia: Thomson Wadsworth,
2005.