Exam #2 Study Guide

Exam #2 will be given on October 28 and will cover
Arnason pages 472 - 517, 532 - 556, 581 - 597 & 615 - 637 and Fineberg pages172 - 345 & 354 - 365

 

 

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Key Images
Be able to identify the title, artist and date of the following images.
 
Artist Title Date
Thumbnail Image
Barnett Newman
Vir Heroicus Sublimis
1950 - 51
John Cage 4'33" 1952
Jasper Johns Flag 1954-55
Robert Rauschenberg Untitled (Man with the White Shoes) 1954
Robert Frank Trolley- New Orleans 1955 - 56
Mark Rothko
Green and Tangerine on Red
1956
Frank Stella Die Fahne Hoch 1959
Yves Klein Leap Into the Void 1960
Andy Warhol 32 Campbell's Soup Cans 1961 - 62
Roy Lichtenstein Drowning Girl 1963
James Rosenquist F-111 1965
Joseph Kosuth One and Three Chairs 1965
Yoko Ono Cut 1965
Ed Kienholz The State Hospital 1966
Donald Judd Untitled 1968
Carl Andre Steel Magnesium Plain 1969
Robert Smithson Spiral Jetty 1970
Joseph Beuys Coyote, I Like America and America Likes Me 1974
Christo and Jeanne-Claude Wrapped Reichstag 1979

 

 

Key Terms
Know the definition and historical significance of the following terms.
 
1968
Entropy
Plato's Forms
Anti Form
Epiphany
Pop Art
The Beat Generation
Fluxus
Postmodernism
Benday Dots
Happening
Process Art
California Funk
Hard Edge Painting
Post-Minimalism
Combine
Installation
Purified or post-painterly abstraction
Conceptualism
Literalism
Semiotics
Consumer Culture
Marshall Plan
Silkscreen
Depoliticized media spectacle
Minimalism
Situationists International
Earthwork
Neo-Dada
Structuralism
Encaustic
Nouveau Realisme

 

 

People
Know the contributions, and the significance of those contributions, each of the following people made to the history of art.
 
John Cage
Michael Fried
Allan Kaprow
Guy Debord
Gutai Art Association
Robert Morris

 

 

Questions to consider
Rauschenberg said, "Painting relates to both art and life.  I try to act in that gap between the two."  Explain what he meant by this.

Why are the works of Jasper Johns and Robert Rauschenberg considered a bridge between Abstract Expressionism and Pop Art?  In what ways are the works of Rauschenberg and Johns both impersonal and personal?

What was the main source of inspiration for Pop artists?
How do the works of west coast Pop artists differ from the works of east coast Pop artists?
What goal did the Minimalists have for their works?  What characterizes Minimalist works?
What were some of the main arguments against Minimalism?
What did Frank Stella mean when he said "what you see is what you see?"
Why were the artists of the 60s and 70s compelled to dematerialize the art object?