June 23 |
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Breaking It Up |
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"Every so often, a painter has to destroy painting. Cezanne did it,
Picasso did it with Cubism. Then Pollock did it. He busted our idea
of a picture all to hell. Then there could be new paintings again."
- Willem de Kooning |
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Assignments Due: |
Student Information Sheet |
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Worksheet #1 |
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Hugo Ball performing Karawane |
Avant-garde
= artists or works that are novel or experimental |
relates to military
term for soldiers who explore battlefield ahead of advancing army |
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suggests
small group of intellectuals who push the boundaries of what is accepted as the norm |

Manet. Luncheon
on the Grass (Le Dejeuner Sur L'Herbe).
1863.
Stokstad,
Marilyn. Art History. Revised Second ed. Vol. 2. New York: Prentice
Hall Inc., and Harry N. Abrams Inc., 2005.
Claude
Monet. Impression: Sunrise. 1872. |
The term "modernism" develops out of the avant-garde |
Modernism = philosophy that affirms the power of human beings to make, improve, deconstruct and reshape their lives, with the aid of scientific knowledge, technology and practical experimentation. The term covers many political, cultural and artistic movements rooted in the changes in Western society at the end of the 19th and beginning of the 20th century. |
The Modern World Emerges |
Charles Sheeler. Rolling Power. 1939. |
At the turn of the 20th century, a number of traditional points of view were replaced with radical new ways of thinking |
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Einstein publishes his Theory of Relativity in physics |
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Increasing industrialization changes the way people live, buy and work |
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Freud introduces his concepts of the subconcious mind |
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The Wright brothers invent a machine that allows humans to fly |
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Ford's assembly line quickly and efficiently producesquickly and efficiently cutting edge machinery |
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And... the traditional center of the art world in Paris was beginning to lose its hold |
Characteristics of Modern Art: |
Pablo Picasso. Les Demoiselles D'Avignon. 1907. |
Discarded “traditional” forms of art as old-fashioned and irrelevant |
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Embraced disruption |
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Believed in universals and the essential |
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Valued innovation (being the first) |
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The 1913 Armory Show introduces radical European abstraction to America for the first time

Armory Show Main Hall
http://www.usc.edu/schools/annenberg/asc/projects/comm544/library/images/415.html
Marcel
Duchamp. Nude Descending A Staircase, No. 2. 1912. |
Responses to the Armory Show and Duchamp's Nude: |
President Theodore Roosevelt exclaimed, "That's not art!" |
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New York Times critic said Duchamp's painting resembled "an explosion in a shingle factory." |
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American Art News offered a prize to anyone who could find the nude |
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http://en.wikipedia.org/wiki/Image:Stamp-ctc-armory-show.jpg |

Marcel Duchamp. Fountain. 1917.
Stokstad,
Marilyn. Art History. Revised Second ed. Vol. 2. New York: Prentice
Hall Inc., and Harry N. Abrams Inc., 2005.
American Regionalism
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Edward Hopper. Early Sunday Morning. 1930.
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Grant Wood. American
Gothic. 1930. |
Social Realism
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Thomas Hart Benton. Boomtown. 1928. |
Ben Shahn. The Passion of Sacco and Vanzetti. 1931 - 32. |
"I
wallowed in every cockeyed ism that came along, and it took
me ten years to get all that modernist dirt out of my system." - Thomas Hart Benton |

Thomas Hart Benton. The Arts of the West. 1932.
Farm Security Administration 1935 - 1944 |
Dorothea Lange. Migrant
Mother, Nipomo, California. 1936. |
Resettlement Administration (later known as the FSA) intended to move distressed farmers into more economically viable service and industrial jobs |
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Roy E. Stryker appointed chief
of the historical section |
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Historical section's aim was to gather visual evidence in support of the RA's good works and to distribute these images, free of charge, to the nation's news agencies |
Federal Art Project 1935 - 1943 |
Anthony Velonis. Federal Art Project poster. 1938. |
WPA exhibition posters |
FAP artists received the famous salary of $23.86 / week at a time when a Woolworth's clerk earned $11 /week |
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Fostred a sense of community amongst artists |
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Spoke of the importance of art to the United States |
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The Mexican Muralists - "Los Tres Grandes" |
Jose Clemente Orozco, David Alfaro Siquieros & Diego Rivera |
American artists identified with the Mexican Muralists because they sought many of the same goals: |
In search
of a distinctive national imagery and style |
Belief
in use art as a vehicle for social change |
Embraced the notion that art was for "the people" rather than the wealthy elite |

Jose
Clemente Orozco. Prometheus. 1930.
Harth, Marjorie L. Jose Clemente Orozco: Prometheus. Pomona College Museum of Art.

David Siqueiros. America Tropical. 1932.

Diego Rivera. Man, Controller of the Universe. 1934.
Fresco at the Museo del Palacio de Bellas Artes, Mexico City.
Stokstad, Marilyn. Art History. Revised Second ed. Vol.
2. New York: Prentice Hall Inc., and Harry N. Abrams Inc., 2005.

Pablo Picasso. Guernica. 1937. 11' X 23'. Oil on canvas.
http://likovna-kultura.ufzg.hr/images31/Picasso.Guernica2.jpg
"Painting
is not done to decorate apartments. It is an instrument of war for attack
and defense against the enemy." - Pablo Picasso |
Guernica after attack |
Historic Context
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Attack on Pearl Harbor. December 7, 1941. |
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1929 |
Great Depression
begins |
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1933 |
Hitler's Nazi
Party seizes power |
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New Deal begins
- program of government spending to end the Great Depression |
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1936 - 1939 |
Spanish Civil War |
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1939 - 1945 |
WWII - the largest and deadliest war in history with over 62 to 78 million deaths (22 to 25 milion military casualties) |
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1941 |
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1945 |
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Founding of the United Nations |
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Bernard Waldman. The Fat Man mushroom cloud resulting from the nuclear explosion over Nagasaki. August 9, 1945. |
Nagasaki before and after nuclear bombing. 1945. |
Lee Miller. Buchenwald. April 1945. |
Dresden after allied bombing in 1945 |
After WWII |
Alfred Eisenstaedt. V.J. Day. 1945. |
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Europe |
United States |
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Left in ruins - few resources to rebuild |
Housing and construction boom spawned by GI returns |
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Many countries remain politically divided |
Country invigorated by new found strength and prominence |
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Many artists had immigrated to the U.S. |
Sense of artistic community blossoms in NY |
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The artistic community in New York begins to blossom |
The Art Students League, NY |
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Important art schools and groups: |
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Art Students League |
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Hans Hofmann School of Fine Arts |
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The Club |
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Cedar Tavern |
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Peggy Guggenheim in her Art of This Century Gallery |
New venues to see and exhibit art in: |
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Museum of Modern Art |
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Museum of Non-Objective Painting (will later become the Guggenheim Museum) |
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Betty Parsons Gallery |
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Sidney Janis Gallery |
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Art of This Century Gallery |
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Arshile Gorky
1904 - 1948
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Vassily
Kandinsky. Improvisation No. 30 (Cannons). 1913. Stokstad, Marilyn. Art History. Revised Second ed. Vol. 2. New York: Prentice Hall Inc., and Harry N. Abrams Inc., 2005. |
Arshile Gorky. The Betrothel
II. 1947. |
Arshile Gorky dancing at a party |
Vostanik Manoog Adoyan |
Arshile
= refers to the hero Achilles |
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Gorky =
Russian for bitter |
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"The
bitter Achilles" |
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Arshile
Gorky. The Artist and His Mother. 1926 - 36.
http://www.whitney.org/www/research/gorky/index.html

Arshile Gorky. Garden in Sochi. c. 1943.
Sochi =
Russian resort on the Black Sea |
Sosi = poplar
tree in Armenian |
"It
was the custom in our family at the birth of a son to plant a poplar
tree which would later have the birth date and name carved on it. Gorky
as a child loved his tree and took great pride in caring for it."
- Vartoosh |

Arshile Gorky. The Liver is the Cock's Comb. 1944.
Multiple layers of meaning for "liver" : |
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one who lives |
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the liver was the source of passion for the ancients |
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"I
do not believe in anarachy in art. There must be some structure...For
me, art must be a facet of the thinking mind...unrelenting spontaneity
is chaos." - Arshile Gorky |

Arshile Gorky. The Calendars. 1946 - 47.
" Loved ones or "loveds"

Arshile Gorky. The Last Painting. 1948.
http://www.museothyssen.org/thyssen_ing/coleccion/ficha419.htm
Arshile Gorky Retrospective at MOCA