June 29 |
|
Dialogue with Europe |
|
"I am working for myself. . . I have nobody to excite but myself. - Francis Bacon |
Francis Bacon's studio |
| Assignment Due: Community #1 | |

Robert Motherwell. At Five in
the Afternoon. 1949.
http://imgs.sfgate.com/c/pictures/2003/08/29/dd_legion_1.jpg
Federico Garcia Lorca |
Garcia Lorca poem, "Lament for Ignacio Sanchez Mejias" |
Lorca wrote the poem to lament the death of his bullfighter friend |
|
Three symbolic colrs in the poem: |
|
Red = blood |
|
White = blinding light of the sun |
|
Black = death |
|
Robert Motherwell. Elegy to the Spanish Republic 110. |
Allusions to the Spanish struggle and culture in Motherwell's series: |
Reference to bullfighting in the abstract image of a bull's genitalia (probably inspired by Guernica) |
|
Rounded forms pressed against weighty dark bars symbolizes the struggle for democracy & freedom |
|
Dramatic sense of tension throughout the compositons |
|

Robert
Motherwell. Elegy to the Spanish Republic, No. 34. 1953 -54.
http://www.artinthepicture.com/paintings/view.php?nr=2900
Historic Context |
Library of Congress. Senator Joseph McCarthy. 1954. |
|
| 1950 - 53 | Korean War - America combats the global expansion of Communism with inconclusive results | |
| 1950 - 1957 | "McCarthy Era" - Senator Joseph Mc Carthy leads wide scale attack hoping to reveal and discredit Communists in America | |
| 1951 | J.D. Salinger publishes The Catcher in the Rye | |
| 1952 | Arthur Miller's The Crucible | |
| 1952 - 1960 | "Eisenhower Era" | |
| 1954 | William Golding publishes The Lord of the Flies | |
| 1954 - 1955 | J. R.R. Tolkien's Lord of the Rings series published | |
| 1955 | Polio vaccine introduced to the public | |
| Rosa Parks refuses to give up her seat on a bus for a white man | ||
| 1957 | Soviet Union launches first artificial satelite, Sputnik into space | |
| 1958 - 1960 | The Great Leap Forward, an attempt by Mao Zedong to stimulate China's economic development with the creation of huge rural communes was a failure and was partially responsible for an enormous famine in which several million people died. | |
| 1959 | Fidel Castro overthrows Batista's regime in Cuba and establishes communist government | |
| Vietnam War begins | ||
L'art Informel a.k.a. Tachisme = french for stain |
Wols. It's All in the City. 1947. |
Characterized by: |
|
Spontaneous brushwork, drips, blobs and calligraphic scribbling |
|
Suggested the body, or the presence of it |
|
Existential consciousness |
|
American critics saw European art of the 40s and 50s as bound and restricted by the tradition of belle peinture = the idea of the painting as being a beautiful and luxurious object, a bed of delight for the senses |
l'informe = anti form |
|
Bataille called for the embrace of the repellent, the excessive and the bodily in art |
|
Countered the idealism he saw in Cubism and Surrealism |
|
"Man goes constantly in fear of himself. His erotic urges terrify him." - Bataille |
|
"Pleasure only starts once the worm has got into the fruit, to become delightful happiness must be tainted with poison." - Georges Bataille |
"Like the Abstract Expressionists, Wols internalized the tragic nature of his times. His art was suffused with romantic self-pity, primordial longings, inchoate gestures." - David Hopkins |
Jean Dubuffet. La Metafisyx.
1950. |
Jean Dubuffet. Large Sooty Nude. 1944. |
L'art brut,
a.k.a. art brut = art in the raw |
Art made
by untrained people |
|
Mentally
ill, children, amateurs, graffiti artists |
|
"The female body has long been associated with a very specious [false or phony] notion of beauty which I find miserable and most depressing. Surely I am for beauty, but not that one I intend to sweep away everything we have been taught to consider-without question- as grace and beauty [and to] substitute another and vaster beauty, touching all objects and beings, not excluding the most despised." - Jean Dubuffet |

Jean Dubuffet. Childbirth.
1944.
http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A1633&page_number=7&template_id=1&sort_order=1
Alberto Burri. Sacco H8. 1953. |
Alberto Burri. Sacco 5P. 1953. |

Luciano Fontana. Concetto Spaziale. 1959 - 60.
Francis Bacon
1919 - 1992
Francis Bacon. Self-Portrait. 1969. |
Bacon in his studio |
Purchased at auction by Damien Hirst in 2007 for $33,081,000 |
Bacon's
recurrent imagery: |
Francis Bacon. Painting.
1946. |
Tubular
framed furniture |
|
Flayed beef
- hanging as though crucified |
|
Open mouthed
figure with monstrous teeth |
|
Umbrella
obscuring the figure's eyes |
![]() |
![]() |
Furniture and rugs designed by Bacon and Self-portrait, 1973.
Ficacci, Luigi. Bacon. Koln: Taschen, 2003. |
|

Francis Bacon. Head Surrounded by Sides of Beef. 1954.

Francis Bacon. Study After Velazquez's Portrait of Pope Innocent X. 1953.
![]() |
![]() |
Diego Velazquez. Pope Innocent X. 1650. |
Sergei
Eisenstein. Still from |