July 8 |
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In the Nature of Materials |
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Robert Arneson. John with Art. 1964. |
"Interpretation is the revenge of the intellectual upon art." - Susan Sontag |
Assignments Due: Worksheets #7 & #8 Extra Credit Opportunity! Earn 10 points with proof of attendance |
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Roy Lichtenstein. Blam. 1962. |
Structuralism
= philosophical approach that analyzes society by looking at cultural
phenomena, particularly signs, that have hidden underlying meanings
that can be decoded |

Roy Lichtenstein. Big Painting VI. 1965.
Hopkins, David. After Modern Art 1945 - 2000. Oxford: Oxford University Press, 2000.

Roy Lichtenstein. Drowning Girl. 1963.

Drowning Girl detail.
Benday dots
= printing process that uses two or more solid colored dots that the
eye combines to create another color |

Roy Lichtenstein. Masterpiece.
1962. Oil on canvas.
Getlein, Mark. Gilbert's Living With Art.
Sixth edition. Boston: McGraw Hill, 2002.
Roy Lichtenstein. Drowning Girl. 1963. |
James Rosenquist. The Serenade for the Doll after Claude Debussy, Gift Wrapped doll #8. 1992. |
Despite their popular imagery, Pop artists betray an interest in formal aesthetics |
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Large scale makes representational images abstract-like |
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Allover compositions |
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Slick technique emphasizes the flatness of the picture plane |
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James Rosenquist
1933 -
"We
are attacked by radio and television and visual communications
at
such a speed and with such a force that painting
now seems very
old-fashioned
why shouldn't it be done with that power and gusto
[of advertising], with that impact." - James Rosenquist |

James Rosenquist. I Love You
with My Ford. 1961. 82" X 93".
Lobel,
Michael. "Sign Language." Artforum. October 2003: 127.

James Rosenquist. F-111. 1965.
10' X 86'.
http://www.digitalmediatree.com/library/image/12/enlarge_65_01_opt.jpg

F-111
installed
http://www.artnet.com/Magazine/features/finch2/Images/finch11-15-2.jpg
West Coast
Pop |
a.k.a. California
Funk movement |
funk = bad smelling |
California
Funk movement defined by Berkeley University's Art Museum Director, Peter
Selz as being "hot rather than cool, committed rather than disengaged,
bizarre rather than formal, sensuous and frequently quite ugly."
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Andy Warhol. Gold Marilyn Monroe. 1962. |
Ed and Nancy Kienholz. Birthday. 1964. |
Ed Kienholz
1927 - 1994

Ed Kienholz. Roxy's. 1961.
http://kunst.gymszbad.de/zab2006/ts-1/kienholz/kienholz-roxys-1961-xl.jpg
Installation
art = art that uses sculptural materials and other media to modify a
particular space. It is not necessarily confined to a gallery or museum
space and often incorporates the viewer into the work. |

Ed
Kienholz. The Illegal Operation. 1962.
http://noskoff.lib.ru/pina/KIENHOLZ/illegal_operation_1962.jpg

Edward and Nancy Kienholz. The State Hospital
(exterior). 1966.
Upshaw, Reagan. "Scavenger's Parade." Art in America. October 1996: 98 -107.

Edward and Nancy Kienholz. The State Hospital (interior). 1966.
Upshaw, Reagan. "Scavenger's Parade." Art in America. October 1996: 98 -107.

Ed Kienholz. The State Hospital
tableau. 1966.
Upshaw, Reagan. "Scavenger's Parade." Art in America. October 1996: 98 -107.
First retrospective of Kienholz's work at LACMA in 1966

Ed
Kienholz. Back Seat Dodge '38. 1964.
http://noskoff.lib.ru/pina/KIENHOLZ/back_seat_dodge_1964.jpg
Nouveaux Realistes (New Realism) |
Arman. Large Bourgeois Refuse. 1960. |
French equivalent to Neo Dada and Pop Art |
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Sought a "passionate adventure of the real" |
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Wanted to bring art and life closer together |
Niki de Saint Phalle. Shooting Picture. 1961. |
Niki de Saint Phalle creating a shooting picture |
Yves Klein
1928 - 1962

Yves Klein. IKB 3. 1960.
Weitemeier, Hannah. Klein. Koln: Taschen, 2001.
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Yves Klein. Le Vide (The Void). April 28, 1958. |
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After leaving the exhibition, Albert Camus responded, "With the void, comes total empowerment." |
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Yves Klein. Leap into the Void. 1960. |
Yves Klein. Single Day Newspaper. November 27, 1960. |

Yves Klein. Performance: Anthropometries de l-epoque bleue. 1960.
Yves Klein. "Living Paint Brush" painting. 1960. |
Yves Klein. Anthropomometry. 1960. |
Robert Arneson. Jackson Pollock. 1983. |
Postmodernism
= name for many stylistic reactions to, and developments from, modernism.
Postmodern style is often characterized by eclecticism, digression,
collage, pastiche, and irony. Postmodern art
is seen as a reversal of well-established modernist systems, such as the roles
of artist vs. audience, seriousness vs. play, or high culture
vs. kitsch. |