May 18
Ideas & Materials

Claes Oldenburg. Dual Hamburgers. 1962.
Pop Art was just one reaction against the self-absorbed quality of Abstract Expressionism |
Donald Judd. Untitled. 1968. |
Many artists rejected paint all together in the 60s and 70s because they felt it had lost its relevancy |
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1966 Lucy Lippard explained that there was a growing tendency toward"the dematerialization of the art object" |
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Minimalism = a nonrepresentational style of sculpture and painting, usually severely restricted in the use of visual elements and often consisting of simple geometric shapes or masses. |
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Tony Smith. Die. 1962. 6
X 6 X 6 ft. |
Characteristics
of Minimalist Sculpture: |
Serial repetition of geometric forms |
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Manufactured |
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Industrial, commercially available materials |
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Focus on the material rather than metaphor |
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Carl Andre. Steel Magnesium
Plain. 1969. 6 X 6 ft.
Marzona, Daniel. Minimal Art. Koln: Taschen, 2004.
Andy warhol. Marilyn Diptych. 1962. |
Carl Andre. Steel Magnesium
Plain. 1969. 6 X 6 ft. |
Conceptualism = an art form in which the originating idea and the process by which it is presented take precedence over a tangible product. Conceptual works often only exist as a description of mental concepts or ideas. |
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Conceptual
art is "made to engage the mind of the viewer rather than his eye
or emotions." - Sol Le Witt |
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Sol LeWitt. Wall Drawing #1166 Light to dark (scribbles) and #1167 Dark to Light (scribbles). July 2005.
http://www.artcritical.com/DavidCohen/SUN109.htm |
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Joseph Kosuth. One and Three
Chairs. 1965.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice Hall, Upper Saddle River, NJ, 2002.
art represents the world |
art is a re-presentation of the world |
Walter De Maria. The Lightning Field, New Mexico. 1977. |
Working under the influence of Minimalism and Conceptualism, artists began to create works that were inseperable from the sites for which they were designed. In site-specific works, the artist's sensitivity to the location determines the composition, scale, medium, and even the content of each piece. |
Earthworks
= (a.k.a. Land art) form of art which came to prominence in the late
60s and 70s primarily concerned with the natural environment. Materials
such as rocks, sticks, soil, and plants are commonly used, and the works
frequently exist in the open and are left to change and erode under
natural conditions. |
Robert Smithson. Spiral Jetty. 1970. |

James Turrell. Roden Crater. Begun 1972.

Christo and Jeanne-Claude. The Pont Neuf Wrapped, Paris. 1975 - 85.
"Christo
works an average of 17 hours a day - 7 days a week. Jeanne-Claude is
a bit more lazy - only 12 to 13 hours a day. They do not take vacations."
- www.christojeanneclaude.net |

Christo and Jeanne-Claude. Running Fence, Sonoma and Marin Counties, California. 1972 - 76.

Christo and Jeanne-Claude. Running
Fence, Sonoma and Marin Counties, California. 1972 - 76.
Baal-Teshuva, Jacob. Christo and Jeanne-Claude. Koln: Taschen, 2001.

Christo
and Jeanne-Claude. The Gates, Central Park, New York. 1979 - 2005.
Baal-Teshuva, Jacob. Christo and Jeanne-Claude. Koln: Taschen, 2001.