May 20
Feminism
Chief concerns
of 70s Feminism: |
Sylvia Sleigh. The Turkish Bath. 1973. |
Gain full social and economic equality |
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Reveal and
question society's definition of women's roles |
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To examine
the natural processes of the body long disregarded by
western culture |
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To express
(finally) the woman's identity |
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Yoko Ono. Cut Piece. 1965.
Newhall, Edith. "A Long and Winding Road." ARTnews. October 2000: 162 -165.
Performance
Art = art where the actions of an individual or a group at a particular
place and in a particular time, constitute the work |

Judy Chicago. The Dinner Party. 1974 - 79.
"Meant to end the ongoing cycle of omission in which women were written out of the historical record." - Judy Chicago |
Are we there yet? |
Marilyn Minter . Stepping Up . 2005. |
At the present rate of progress, it will take 50 years to close the wage gap nationwide |
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The world's first elected female president was Vigdis Finnbogadottir of Iceland, whose term lasted from 1980 to 1996 |
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Rwanda currently has the largest percentage of women participating in its national legislature with 49% |
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The United States Congress is currently comprised of 16.3% women (the world average is 9%) |
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In 2006, Nancy Pelosi became the first female Speaker of the House (second in presidential line of succession) |
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Art museums
still present only an average of 15% women in curated exhibits, and
a mere 4% of museum acquisitions are works by women artist - Guerrilla
Girls |
Dinner
Party setting for Mary Wollstonecraft |
Dinner
Party setting for Sojourner Truth |
Dinner
Party setting for Emily Dickinson |
Installation
art = art that uses sculptural materials and other media to modify a
particular space. It is not necessarily confined to a gallery or museum
space and often incorporates the viewer into the work. |
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Georgia O'Keefe. Red Canna. c. 1924.
University of Arizona Museum of Art
Dinner Party settings for Virginia Woolf and Georgia O' Keefe |
essentialism = the view that, for any specific kind of entity, there is a set of defining characteristics that the entity must possess in order to be recognized as that kind of thing. A classic example is the question of whether a tiger without stripes (an albino) is still a tiger? The essential properties of a tiger are those without which it is no longer a tiger. |

Louise Bourgeois. The Destruction of the Father. 1974.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice Hall, Upper Saddle River, NJ, 2002.

Louise Bourgeois. Maman as installed at National Gallery of Canada. 2005.
Maman was bought by the Guggenheim Museum, Bilbao for $4 million in 2006 |
Louise Bourgeois. Filette (Little
Girl) (Sweeter Version) . 1968. |
Robert Mapplethorpe. Portrait of
Louise Bourgeois. 1982. |