May 27
Contemporary Art
Postmodernism
= name for many stylistic reactions to, and developments from, modernism.
Postmodern style is often characterized by eclecticism, digression,
collage, pastiche, and irony. Postmodern theorists see postmodern art
as a reversal of well-established modernist systems, such as the roles
of artist versus audience, seriousness versus play, or high culture
versus kitsch. |
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Postmodernists believe that no single truth exists |
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Embrace diversity |
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Encourage parody, irony and playfulness |
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Jouissance
= enjoyment |
Historic
Context |
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1979 |
Jean-Francois Lyotard's The Postmodern Condition published |
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John Lennon is murdered |
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1981 - 1989 |
"Reagan
era" |
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1981 |
AIDS first recognized as a disease, given the name "Gay Related Immune Deficiency" |
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MTV founded |
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1983 |
Compact discs first marketed and quickly replace records and tapes |
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1985 |
Rock Hudson dies
of AIDS |
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1986 |
Chernobyl nuclear accident |
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GRID renamed HIV/ AIDS |
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1987 |
"Black Monday"
stock market crash |
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1989 |
Robert Mapplethorpe
dies of AIDS |
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Student protestors massacred in China's Tieananmen Square |
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Cindy Sherman. Untitled Film
Still #6. 1977.
Cruz, Amanda and Elizabeth A. T. Smith. Cindy Sherman: Retrospective. Chicago: Thames & Hudson, 1998.

Cindy Sherman. Untitled Film
Still #13. 1978.
Cruz, Amanda and Elizabeth A. T. Smith. Cindy Sherman: Retrospective. Chicago: Thames & Hudson, 1998.

Cindy Sherman. Untitled Film
Still #48. 1979.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed.
Prentice Hall, Upper Saddle River, NJ, 2002.
1996 Museum of Modern Art purchased a complete set of Film Stills for $1 million |
In 2006 a print of #32 (she made 10) sold for $140,000 at auction |
Leonardo da Vinci . Madonna and Child. 1482. |
Cindy Sherman. Untitled #216.
1990. |
Appropriation
= the use of found or borrowed elements in the creation of a new artwork |
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Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction |
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In an age
when images can be reproduced endlessly, there is no original |
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"Aura"
is the feeling of awe created by unique object from the past - Capitalism
destroys the aura because of proliferation, mass production and endless
reproduction |
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Barbara Kruger. Untitled (I Shop
Therefore I Am). 1987.
Preble,
Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice
Hall, Upper Saddle River, NJ, 2002.

Barbara Kruger. Untitled (Your gaze hits the side of my face). 1981.
Anselm Kiefer. To the Unknown Painter. 1983. |
Neo-Expressionism
= style of modern painting that emerged in the late 1970s and dominated
the art market until the mid-1980s. It developed as a reaction against
the conceptual and minimalist art of the 1970s. Neo-expressionists
returned to portraying recognizable objects, such as the body, in
a rough and violently emotional way using vivid colours and banal
colour harmonies. |

Jean-Michel Basquiat.
Untitled (Skull). 1981.
Emmerling, Leonhard. Basquiat. Koln: Taschen, 2003.

Jean-Michel Basquiat. Charles the First. 1982.

Charlie Parker
http://en.wikipedia.org/wiki/Image:Charlie_Parker.jpg
Richard Estes. Telephone Booths. 1968. |
Photo Realism = genre of painting that developed out of the Pop Art movement and involves the use of photographs and mechanical transfer of the photo image to canvase that results in a painting resembling that resembles a photo |
the painting is a copy of a photograph |
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the photograph is a copy of the "original" |
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the "original" may have been set up to remind the viewer of something prior |

Gerhard Richter. Betty. 1988.

Marilyn Minter. Bottled Blonde. 2006. Enamel on aluminum.
http://www.gavlakprojects.com/index.php?mode=gallery§ion_id=2

Duane Hanson. Tourists. 1970. Polyester resin, fiberglass and human paraphernalia.
trompe l'oeil = French for "fool the eye." A representation that is so naturalistic that it looks actual or real. |

Ron Mueck. Dead Dad. 1996 - 97.
http://www.telegraph.co.uk/arts/graphics/slideshows/mueck/d.jpg

Claudio Bravo. Package. 1969. Charcoal, pastel and sanguine.
Fichner-Rathus, Lois. Understanding Art. Seventh edition. Australia: Thomson Wadsworth, 2004.
Historic
Context |
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| 1990 | Germany reunited | ![]() |
| Nelson Mandela released from prison | ||
| Keith Haring, Freddie Mercury, Craig Owens and Halston die of AIDS | ||
| Perfect Moment exhibition | ||
| 1991 | USSR desolved and Boris Yeltsin becomes Russian President | |
| Magic Johnson announces he is HIV positive | ||
| Isaac Asimov dies of AIDS | ||
| 1992 | David Wojnarowicz dies of AIDS | |
| 1994 | Advent of World Wide Web | |
| Official end of white rule in South Africa | ||
| Elizabeth Glaser dies of AIDS | ||
| 1997 | Tony Blair becomes Labour prime minister of Britain, ending 18 years of Conservative rule | |
| "Dollie" the sheep cloned in UK (dies in 2003) | ||
| 1996 | Felix Gonzalez-Torres dies of AIDS | |
| 1997 - 99 | Sensation show in London, Berlin and Brooklyn | |
| 1998 | Clinton impeached, then acquited of charges | |
| 2001 | Attacks on World Trade Center and Pentagon | |
| U.S. bombs Afghanistan | ||
| 2003 | U.S. and Britain launch war on Iraq | |
| 2004 | Tsunami in South Asia | |
| 2005 | Hurricane Katrina and flooding in New Orleans | |
| 2007 | Al Gore'sseries of speeches on Global Warming inform Americans about the issue and earn the former Vice President a Noble Peace Award | |
| 2009 | Barack Obama becomes the first U.S. president of African descent | |
Postmodern Themes: |
Kiki Smith. Pee Body. 1992. |
Conceptualism |
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Appropriation |
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Hyperrealism |
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Body Politics |
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Identity
Politics |
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Jouissance
- french for enjoyment |

Cindy Sherman. Untitled #175. 1987.

Felix Gonzalez-Torres. Clockwise from top left: Untitled (Death By Gun) 1990, Untitled (Aparicion)
1991, Untitled 1991,
Untitled (Republican Years) 1992.

Viewer takes home Untitled (Apparition)
http://www.kopenhagen.dk/billeder/reportage/felix_gonzalez_torres_hamburger_bahnhof/
Felix Gonzalez torres. Untitled (Lover Boys). 1991. |
Felix Gonzalez-Torres.
Untitled (Placebo). 1991. |
"I'm
giving you this sugary thing; you put it in your mouth and you suck on
someone else's body. And in this way, my work becomes part of so many
other people's bodies. It's very hot." - Gonzalez-Torres |
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Kara Walker. Slavery!
Slavery! 1997.
http://www.brooklynmuseum.org/eascfa/feminist_art_base/archive/images/201.699.jpg
Kara Walker. You Do . 1997. |
Josephine Baker performing the Danse Sauvage in 1927 |
"Walker
refuses to see racism as a clear question of 'us versus them.' Instead,
she performs a complex excavation of both the psychological and the
sociological dimensions of identification." - David Joselit |
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Chris Ofili. The
Holy Virgin Mary. 1996.
http://www.maround.com/mablog/tyler_askew/1996%20The%20Holy%20Virgin%20Mary.200.jpg

Matthew Barney. Cremaster 4: The Loughton Candiddate. 1994.
Cremaster
= the muscle that controls the contraction and relaxation of the testes
in response to different physical or psychological stimuli like increased
temperature or fear |
cremaster muscle in red |
"Biological,
social and mythological foundations of selfhood intersect and reflect
one another." - David Joselit |
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Cycle reflects on the period during early development of the fetus when gender
has not been decided, |
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In the first several weeks of life, the fetus has no anatomical or hormonal sex (sex can only be determined by genes) |
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About the 10th week, external genitalia begins to differentiate |
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About 15th week, first spermatognia and ovarian follicles form |
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28th week, testes descend out of the body cavity |
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http://www.guggenheim.org/artscurriculum/lessons/cremaster_1_3_enl.php |
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Setting - the blue Astroturf playing fiend at Bronco Stadium in Boise, Idaho |
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Synopsis - musical revue involving two Goodyear blimps |
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With the grapes, she directs the choreographic patterns created by a troupe of dancng girls on the field below. |
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Symbolism - the blimps, grapes and dancing ensemble refer to the female reproductive system and ovulation |
http://graphics7.nytimes.com/images/2003/02/21/arts/21kimm.jpg |
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Setting - Utah and the Great Salt Lake |
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Synopsis - Barney plays Gary Gilmore, the Mormon serial killer who made legal history by refusing and resisting all efforts made to have his execution postponed or rescinded |
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Gilmore's mother claimed to have been related to Harry Houdini. Scenes with Gilmore's descendents foretell his fate. Movie ends with Gilmore's symbolic execution during a prison rodeo on a salt platform in the Great Salt Lake |
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Symbolism - corresponds to the phase of fetal development during which sexual division begins. In Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium. |

Matthew Barney as Johnny Cash calling Gary Gilmore while he awaits execution in Cremaster 2. 1999.
http://media.collegepublisher.com/media/paper997/stills/6gpv6954.jpg
http://farm1.static.flickr.com/72/215712072_b44ba2ccd2.jpg?v=0 |
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Setting - the Chrysler building in New York |
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Synopsis - narrates the building of the Chrysler building and the important Masonic myth of the struggle between the Entered Apprentice and the Architect. |
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The Apprentice kills the Architect who is purported to know the mysteries of the universe. In Masonic ritual, the symbolic murder and resurrection of the Architect serve as initiation rites in which the candidate must accomplish certain understandings to attain membership and to progress through Masonic hierarchy. |
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Symbolism - a battle is enacted to decide sexual identity, which occurs in the exact center of the movie, and the series |
http://www.koki-freiburg.de/2006/0906/creemaster_4.jpg |
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Setting - the Isles of Man |
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Synopsis - a motorcycle race between two teams who run in opposition to each other occurs as the Loughton Candidate begins to tap his way through a floor. |
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The Loughton Candidate eventually feels two sets of horns growing from the top and bottom of his skull that mimic the two sets of horns of the loughton ram (an animal native to the island). |
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Symbolism - once gender has been determined, genitals and reproductive organs begin to form. From the same mass, either ovaries, clitoris and vagina or testes and penis are developed. |

The Loughton Candidate in a tube of vaseline from Cremaster 4. 1994.
http://www.tate.org.uk/magazine/issue2/images/barney_candidate_large.jpg
http://www-tc.pbs.org/art21/slideshow/artists/b/barney-photo-005.jpg |
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Setting - late 19th century Badapest and its opera house |
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Synopsis - a tragic love story between Harry Houdini and the Queen of Chain. Houdini (who was born in Budapest) seeks transcendence by chaining himself and jumping from a bridge. The Queen misunderstands this feat as a suicide attempt and eventually dies of a broken heart. |
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Meanwhile, her Giant enters into thermal baths where fairies attach ribbons to his scrotum that are also attached to pigeons. As the Queen dies, the pigeons fly through an oculus in the baths and the Giant's scrotum descends from his body cavity. |
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Symbolism - total descension and sexual identity is attained |
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http://www.artinfo.ru/ru/news/images/Photo-main/cremaster_5_1_l.jpg |
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Cremaster 2 dvd in exhibition case
http://teknemedia.net/adv/Matthew%20Barney,%20Cremaster%202,%201999,%20vetrina,%20%20cm.%2097.5x101.6x118.4.jpg
Each film in The Cremaster Cycle was released in an edition of ten in lavish sculptural packaging that was individually signed and numbered by Barney. In 2007, a copy of Cremaster 2 sold for $571,000 at auction. |

Liza Lou. Kitchen.
1991 - 94.
Ollman, Leah. "Liza Lous American
Dream." Art in America. June 1998: 98-101 & 122.

Liza Lou. Kitchen (detail). 1991 - 94.
http://pamrubert.com/Images/Blogpix/06May/lizalou_sink.jpg
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Liza Lou. Backyard. 2005. http://mocoloco.com/art/archives/001423.php |
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