The New Woman |
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Artist, student, studio assistant, model, and lover of sculptor Auguste Rodin, Camille Claudel represents the emerging New Woman and the difficulties she encountered in her demand for equality and feedom from domesticity. During her career, Claudel received significant comissions and accolades. But after a difficult breakup with Rodin, she began to exhibit signs of mental instability. When her father (who supported her career as an artist) died, her mother and brother immediately had her committed to an insane asylum. Despite repeated recommendations by Camille's doctors for ther release, the family refused. Camille remained in the asylum for 30 years until her death in 1943. |
Camille Claudel. The Waltz.
1895. Stokstad, Marilyn. Art History. Revised Second ed. Vol. 2. New York: Prentice Hall Inc., and Harry N. Abrams, 2005. |
Worksheet #6 Due |

Camille Claudel. The Age of Maturity. 1899.
Rosa Bonheur
1822 - 1899

Rosa Bonheur. The
Horse Fair. 1853.
http://italiangreyhounds.org/errata/wp-content/uploads/2007/12/horsefair.jpg
Rosa Bonheur . Plouging in the Nivernais. 1855. |
Realism
= art style that sought to counter the idealized subject matter of Academic painting with direct and frank views of everyday life |
Based
on the idea that ordinary people and everyday activities are worthy
subjects for art |
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Strives
to depict ordinary existence without classic idealism, exoticism or nostalgia |
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Insisted
on precise imitation of visual perceptions without alteration |

Gustave Courbet. The Stone Breakers. 1850. (Destroyed during WWII)
"I was forced to recognize that the clothing of my sex was a constant bother. That is why I decided to solicit the authorization to wear men's clothing from the prefect of police." - Bonheur |
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Rosa Bonheur and Nathalie Micas |
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Manet. Luncheon
on the Grass (Le Dejeuner Sur L'Herbe). 1863.
Stokstad,
Marilyn. Art History. Revised Second ed. Vol. 2. New York: Prentice
Hall Inc., and Harry N. Abrams, 2005.
1863 Academy rejected nearly 3,000 works for the annual Salon |
Eva Gonzales. The Italian Music Hall Box. c. 1874. |
Provoking great deal of public protest |
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Emperor Napolean III ordered an exhibition of the refused work that was eventually called the Salon des Refuses (Salon of the Rejected) |
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Artists used the exhibition as a declaration of their independence from the Academy |
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Adolphe William Bougureau. Nymphs
and Satyr. 1873.
http://imilce.com/words/wp-content/uploads/2009/12/William-Adolphe-Bouguereau-1873-Nymphes-et-satyre-leo-Massac.jpg

Gustave Courbet. The Origin of the World. 1866.
http://en.wikipedia.org/wiki/File:Origin-of-the-World.jpg
Berthe Morisot. Mother and Sister of the Artist. 1870. |
Avant-garde = artists or works that are novel or experimental |
Relates to the military term for soldiers who explore the battlefield ahead of the advancing army |
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Suggests a small group of intellectuals who push the boundaries of what is accepted as the norm |
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Impressionism
= a movement among late nineteenth-century French painters who sought
to present a true representation of light and color. Working primarily
outdoors, such artists applied small touches of paint to catch fleeting
impressions of the scenes before them. Many American artists adopted
the style. |
Berthe Morisot. In the Garden . c. 1884. |
The Impressionists were interested in: |
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Representing immediate visual sensations through color and light |
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Experimenting with short, choppy brushstrokes |
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Painting outdoors, away from the studio, and with pre-made paint |
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"En Plein Air" = in the open air |
"sketch aesthetics" |
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Berthe Morisot. Summer's Day. 1879. |
Berthe Morisot. Woman at Her Toilette. 1875. |
Mary Cassatt
1844 - 1926

Mary Cassatt. Self-Portrait. 1878.
http://www.mystudios.com/women/abcde/cassatt/cassatt-self-portrait-1878.jpg
Mary Cassat. Mother Washing Sleepy Child. 1880. |
Mary Cassatt. Breakfast in Bed. 1897. |

Mary Cassatt. Mother and Child.
c. 1905.
http://0.tqn.com/d/arthistory/1/0/e/y/cdc_nga_2010-11_55.jpg

Pierre- Auguste
Renoir. The Bathers . 1887.
Preble,
Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice
Hall, Upper Saddle River, NJ, 2002.
"I
consider women writers, lawyers and politicians as monsters and nothing
but five-legged calves. The woman artist is merely ridiculous, but
I am in favor of the female singer and dancer." - Pierre - Auguste
Renoir |
Photographer & subject unknown c. 1920s |
By 1893
a new female heroine emerged in the popular imagination called "The
New Woman" |
She rejects
convention by: |
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Drinking |
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Smoking |
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Reading
and pursuing an education |
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Having a
healthy, athletic lifestyle |
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Dressing in comfortable clothes that allow free movement |
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Deciding when, whom and if to marry |
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Deciding how to earn money and how to spend it |
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Frances
Benjamin Johnson. Self-Portrait. c. 1896. http://upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Frances_Benjamin_Johnston,_full-length_portrait,_seated_in_front_of_fireplace,_1896.jpg/481px-Frances_Benjamin_Johnston,_full-length_portrait,_seated_in_front_of_fireplace,_1896.jpg |
John Held Jr. Judge Magazine cover. 1925. |

Nicole Cawlfield. Maria Buszek Bluestocking. 2002.
Bluestocking = a disparaging term, no longer in common use, for an educated, intellectual woman

Mary Cassatt. Modern Woman. Mural for World's Columbian Exposition. 1893.
http://members.cox.net/academia/cassatt.html taken from Harper's New Monthly Magazine, Vol. 86, Issue 516, May 1893.