Healing the Madness |
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Amelia Earhart was the first woman to fly solo, non-stop across the Atlantic. Among her numerous achievements, Earhart earned the Distinguished Flying Cross, the Cross of Knight of the Legion of Honor and the Gold Medal of the National Geographic Society. She was a Depression-era hero and advocate for women's equality, saying, "A pilot's a pilot. I hope that such equality could be carried out in other fields so that men and women may achieve equally in any endeavor..." She disappeared in 1937 over the Pacific during an attempt to circumnavigate the globe. |
Amelia Aerhart http://en.wikipedia.org/wiki/Image:AE.jpg |
Book Pages 16 - 20 Due |
Historical Context |
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1900 |
Freud publishes
"The Interpretation of Dreams" |
Margaret Gorman, |
1903 |
Wright brother's first flight |
|
1905 |
Einstein formulates
theory of relativity |
|
1907 |
Swimmer Annette Kellerman is arrested for indecent exposure while trying to popularize a one-piece swimsuit worn with tights rather than bloomers |
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1912 |
Titanic
sinks |
|
1914 |
Henry Ford's Model-T plant
opens |
|
1919 |
Eighteenth Amendment makes sale, manufacture, and transportation of intoxicating liquors illegal |
|
1920 |
Nineteenth Amendment gives women gain the right to vote in the United States |
|
1921 |
First Miss America pageant |
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1926 |
Norma Smallwood, Miss America 1926, makes $100,000 in appearance fees, an income higher than either Babe Ruth or the president of the United States. |
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Characteristics
of 20th century art are the characteristics of the century itself: |
Gabriele Munter. Boating. 1910. |
Rapid
change |
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Diversity |
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Individualism |
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Exploration |
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Several
broad tendencies mark modern art: |
|
Tendency
towards abstraction |
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Tendency
to emphasize physical process involved in creation of the work |
|
Continual
questioning of the nature of art |
|
Alexandra Exter. The Boat and the Town. 1925. |
Some of
the "Isms" of Modern Art |
Impressionism |
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Post-Impressionism |
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Expressionism |
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Cubism |
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Dadaism |
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Surrealism |
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Abstract
Expressionism |
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Minimalism |
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In the transition
from the old guard to the avant-garde, women artists played active roles as they challenged the limits of tradition |

Suzanne Valadon. The Abandoned
Doll. 1921.
Sterling,
Susan Fisher. Women Artists: The National Museum of Women in the Arts.
New York: Abbeville Press Publishers, 1995.
Paula Modersohn-Becker. Alte Armenhäuslerin in the Garden. 1906. |
Expressionism
= |
1. general
term for art that emphasizes inner feelings and emotions over objective
depiction |
|
2. a modernist
art movement that was a manifestation of subjective feeling toward
objective reality and the world of imagination. Characterized by bold,
vigorous brushwork, emphatic line, and bright color. |
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Characteristics of Expressionism: |
Desire
to express personal attitudes and emotions |
|
Vivid
imagery |
|
Simplified
shapes |
|
Dramatic
use of color |
|
Bold,
sometimes crude brushwork |
|
Sense
of liberation and experimentation |
|
Gabriele Munter. Jawlensky and Werefkin. 1908 - 1909. http://www.abcgallery.com/M/munter/munter4.html |
impasto = painting technique in which paint is applied thickley and in a manner that draws attention to the gesture |
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Sofonisba
Anguissola. Self-portrait. 1561. |
Paula
Modersohn-Becker. Self-Portrait with Amber Necklace. 1906. Stokstad, Marilyn. Art History. Revised Second ed. Vol. 2. New York: Prentice Hall Inc., and Harry N. Abrams, 2005. |
Paula Modersohn-Becker. Mother and Child Lying Nude. 1907. |
Expressionist
characteristics in Becker's work: |
Desire
to express personal attitudes and emotions |
|
Vivid
imagery |
|
Simplified
shapes |
|
Dramatic
use of color |
|
Bold,
sometimes crude brushwork |
|
Sense
of liberation and experimentation |
|

Paula
Modersohn-Becker. Kneeling Mother and Child.
1907.
http://cgfa.sunsite.dk/m/p-modersohn2.htm

Pablo Picasso. Les Demoiselles D'Avignon. 1907.
Stokstad,
Marilyn. Art History. Revised Second ed. Vol. 2. New York: Prentice
Hall Inc., and Harry N. Abrams Inc., 2005.
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![]() |
Edmond Fortier.
Type of Women, West Africa. 1906. |
Pablo
Picasso. Les Demoiselles D'Avignon. 1907. Stokstad, Marilyn. Art History. Revised Second ed. Vol. 2. New York: Prentice Hall Inc., and Harry N. Abrams Inc., 2005. |
Basic
objective of Cubism was to depict three-dimensional objects from all sides at once |
Sonia Delaunay. Electric Prisms.
1914. |
To represent
an object as the mind sees it rather than as the eye sees it |
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Little to no perspective
or illusionism |
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No chiaroscuro |
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No story
to validate the subject |
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Modern, present-day subject |

Sonia Delaunay. Bal Bullier.
1913. Oil on mattress ticking. 38 1/8" X 12'8".
http://leverrier.etab.ac-caen.fr/IMG/jpg/lebalbullier.jpg

Sonia Delaunay. Couverture.
1911. Appliqued fabric.
Grosenick,
Uta ed. Women Artists in the 20th and 21st Century. Taschen, Koln.
2005.

Sonia Delaunay. Clothes and customized Citroen B-12. 1925.
In 1964 Delaunay became the first living female artist to have a retrospective exhibiton at the Louvre |