Syllabus

 

 

 
Art 6 - Women Artists in History
___________________________________________________________________________________________
Spring 2012
Monday & Wednesday 3:20 - 4:50 pm
section 67828
Instructor: Denise Johnson
Student Consultation Hours: By appointment in CAA 302
Mailbox: CAA 302
Voice mail: 909-652-7867


Course Description

This course will explore the contributions of women artists to the western art tradition from the prehistoric era to the present day.  Visual language and art terminology will be used to examine a variety of artworks made by women from an assortment of historic, social, political and personal contexts.  Because women have been traditionally underrepresented and generally discouraged from participating in the visual arts, students will develop a critical eye and utilize writing to actively question and critique the art historical tradition.  Through this evaluation students will gain a general level of knowledge and appreciation for the contributions of women artists throughout history.

 
Student Learning Outcomes
Upon completion of the course, you should be able to demonstrate:
    • Develop an understanding of how visual artworks by women are representative cultural expressions of their era.
    • Define relevant art historical terms and apply them in written and/or oral expression.
    • Identify, compare and contrast major art historical themes and stylistic trends relevant to the artistic expression of women among the periods and works studied.
    • Evaluate how women's societal roles helped shape their artistic themes and modes of expression.
    • Conduct formal analysis of a wide range of historically significant artworks in terms of basic visual elements and material processes.
    • Critically analyze and evaluate artworks by contemporary women artists.
    • Critically interpret contemporary art theory as it pertains to the works of women artists.
    • Develop a critical approach to understanding the changing nature of the art historical process and evaluating the validity of continuing reinterpretation.

 

 

Required Text (Please choose one, or both. You must read at least one!!!)
Slatkin, Wendy. Women Artists in History: From Antiquity to the Present. Fourth edition. Upper Saddle River, New Jersery: Prentice Hall, 2001.

Slatkin cover
   
Chadwick, Whitney. Women, Art, and Society. Third edition. New York: Thames & Hudson Ltd., 2002.
Chadwick cover

 

 

Recommended Texts
Broude, Norma and Mary D. Garrard, ed.  Reclaiming Female Agency: Feminist Art History After Postmodernism. Berkeley: University of California Press, 2005.
Reclaiming Female Agency cover
   
Girls, Guerrilla. The Guerilla Girls' Bedside Companion to the History of Western Art. New York: Penguin Books, 1998.
Guerrilla Girls' Bedside Companion cover
   
Gibaldi, Joseph. MLA Handbook for Writers of Research Papers. Seventh ed. New York: Modern Language Association of America, 2009. (Chaffey Library 808.02 G43)
   
College Dictionary & Thesaurus
College Dictionary

 

 

Instructional Websites

This course will be taught from the instructional website: www.theslideprojector.com. Lecture presentations, assignments, and other course materials will be available to students at this site, and you will need to access it regularly.  Please let the instructor know if you do not have internet access.

Various course materials will be available on the course moodle site. Registered students will use moodle to take online quizzes, review their current grade, utilize a discussion board, and access other materials.

 

 

 

 

 

Student Resources
Chaffey College is committed to helping you achieve your educational goals. To assist your learning, the college provides these (and other) valuable services:
Library
The Chaffey College library is open Monday through Saturday and is closed on Sunday and college holidays. Check the library website at www.chaffey.edu/library/ or call (909) 652-6800 for current hours. A valid Chaffey I.D. is required for any library services including check out of reserve textbooks and other material to use in the library or for on-line access.
Success Centers
 
Chaffey College has created Student Success Centers, which offer free tutorials, workshops, study groups, directed learning activities, and computer/resource access to assist students in their academic development and success. Students are highly encouraged to make use of the resources at the Writing Center, located in the library (909) 652–6820 and the Rancho Success Center in the Educational Excellence Building (909) 652–6932. Call the Centers or consult the college website at www.chaffey.edu/success/ for more information and operating hours.
 
 
Disability Programs and Services
 

Chaffey College's Disabled Students Programs and Services, or DPS, serves an estimated 1500 students across all Chaffey campuses. DPS serves students with physical, learning, and psychological/psychiatric disabilities by providing accommodations based on the type of disability and verifying documentation. Services include academic counseling, disability related counseling and referral for community resources, test accommodations, tram services, adapted computer lab, assistive technology training, assessment, and equipment loan. For more information please call (909) 652-6379 or TDD/TTY (909) 466-2829 or visit our website at www.chaffey.edu/dps/.

 
 
Veterans Services Center
 
Chaffey College's Veterans Resource Center (VRC) is dedicated to assisting veterans and eligible family members in achieving their educational goals efficiently and without impediments. If you are a veteran or eligible family member, please contact the Veterans Resource Center at (909) 652-6235 for information regarding educational benefits and opportunities. The Veterans Resource Center (VRC) is located in building AD-125 on the Rancho campus.
 
 
Global Career Center
The Global Career Center, through partnerships with staff, faculty, employers, and the community, empowers students and alumni to make educated career decisions. The GCC has resources available to help students make these important decisions. Many of the services at the GCC are free, including: career counseling, career assessments, résumé assistance, interviewing skills preparation, job referrals, student employment, and various workshops that are offered throughout the semester. The GCC is located in AD 189 and can be contacted at (909) 652-6511.

 

 

 

 

 

Policies
To ensure that our learning community functions well and that everyone is treated with the respect that they deserve, we must all agree to the following courtesies and guidelines.
 
  Respect is Key
 

We will often consider provocative and challenging subject matter in this class and must therefore agree to respect each other’s views and identities. Our diverse backgrounds and opinions are assets and no student shall be made to feel inferior or uncomfortable because of their race, ethnicity, gender, sexual orientation, religious beliefs or physical/ intellectual abilities.

   
  Take a Break from Texting!
 

Please DO NOT text message during class. If you need to attend to an important message, please leave the classroom and return when you can fully commit your attention to the class discussion.

   
  Attendance
 

Good attendance is essential to your success! While you will not be graded on your attendance, numerous absences are sure to negatively effect your grade.

If you have received an add code from the instructor, the deadline to add this course is January 23. Students wishing to drop the course, are responsible for doing so via MyChaffey View by February 10 without record, or by April 11 with a "W" grade.

   
  Study Time
 

Students should plan on spending two to three hours reading, fulfilling assignments and studying for every hour spent in the classroom. That's 83 - 124 hours of Art 6 study time this semester!

   
  Complete Assignments Before Class Begins
 

Assignments should be turned in at the beginning of class. Any work done during class will NOT be given credit.

   
  Late Assignments
 

You may turn one assignment in one class day late.  The late assignment will not be marked down, however any assignments turned in more than one class late, or in addition to the one accepted assignment, will NOT receive credit.

   
  Cheating & Plagiarism
 

Integrity is an essential component of the student academic experience. The academic evaluation a student receives for a course becomes a permanent college record and it is critical that such records be accurate and consistent. The integrity students learn and exhibit at the college will be a model for the professional integrity they practice when they complete their college work. Accordingly, Chaffey College has classified academic dishonesty into the following categories and included examples for each category.

  • Cheating
  • Unauthorized collaboration
  • Facilitating Academic Dishonesty
  • Interference or sabbotage
  • Plagiarism
  • Fabrication
  • Retaliation
   
Submission Deadline

All course work must be submitted by the last day of lecture. NO COURSE WORK WILL BE ACCEPTED AFTER 4:50 PM ON May 16!!!

   
Grades

Grades will be available online by June 5.

 

 

 

 

 

Grading

There are 500 points possible in this class. Fifty percent of your grade will be earned by writing and compiling a Compendium of Knowledge, 25% by taking online quizzes, 15% by writing reading and lecture questions with a learning community, and 10% by completing Exhibition and Event Reports.

Students are strongly encouraged to keep track of earned points on the grade table included in this syllabus. If requesting an appointment to review your grade, you will be asked to bring the grade table with your earned points recorded to the meeting.

The grading scale is as follows:
A
  100 - 90% 500 - 448 points  
   
A+
  500 - 483
   
A
  482 - 466
   
A-
  465 - 448
B
  89 - 80% 447 - 398  
   
B+
  447 - 433
   
B
  432 - 418
   
B-
  417 - 398
C
  79 - 70% 397 - 348  
   
C+
  397 - 373
   
C
  372 -348
D
  69 - 60% 347 - 297  
   
D+
  347 - 333
   
D
  332 - 318
   
D-
  317 - 297
F
  59% - or less 296 - 0 points

 

 

 

 

Compendium of Knowledge - (5 X 25) + (5 X 25) = 250 points

A Compendium of Knowledge is a collection of concise but detailed information about a particular subject. Students will demonstrate an understanding of the photographic works and issues considered this semester by writing a Compendium of Knowledge that will be submitted in five sections worth 36 points each.

Pages for the first few sections will need to be printed from the "Assignments" page on The Slide Projector, while directions for the later sections will allow each student more flexibility in the works they choose to discuss. Each section will be graded on the adequacy of responses to questions, the writer's demonstrated understanding of key concepts and identification of corresponding styles, themes, artists and techniques, as well as the use of Learning to Learn strategies.

As we study the history of women's contributions to the art history, and learn to interpret their works, we will utilize nine art historical methods. Course content has been organized so that each section of your Compendium relates to specific methodologies. To better develop our ability to use these methods, and to demonstrate a practical understanding of them, students will complete five worksheet of their choosing to be included in their Compendiums.

   
Learning Communities – 5 X 15 = 75 points

Students will be randomly organized into Learning Communities to discuss course material and to write ten relevant questions (with answers) that will be reviewed by the instructor to assess comprehension and depth of understanding. Well written and critically engaging questions will be used on the following quiz. If the instructor determines that community questions lack rigor, she will use her own questions on the quiz ;0) Communities will submit ten questions worth fifteen points, during five meetings over the semester.

 
Quizzes – 4 X 30 - lowest score + 35 = 125 points

Students will be asked to log onto the class's moodle page to complete four online quizzes, each worth a maximum of 30 points. Quiz questions will be derive from Learning Communities and may be multiple choice, fill in the blank, image identification, true or false, or short answer essay. Quizzes will be made available on Thursdays and must be completed by 11:59 pm on the due date.

A mandatory, comprehensive final quiz, that is due on the day of the final exam, will be worth 35 points.

Sorry, make-up quizzes cannot be accommodated. However, the lowest quiz score will be dropped.

   
Exhibition Report - 30 points

Students are required to view (in person) an exhibition held off campus, during the current semester, and complete an Exhibition Report worth 30 points considering the works on view, organization and curatorial concerns of the exhibition. The report can be accessed on the "Assignments" page of The Slide Projector..

   
Event Report - 20 points
During the semester, students are asked to attend an on-campus event relating to woman artist's work and to submit an Event Report worth 20 points. The Wignall Museum, One Book One College program, clubs and other groups on campus offer events throughout the semester. Check the Got Culture? calendar and class bulletin board for upcoming activities. The report can be accessed on the "Assignments" page of The Slide Projector.
   
Extra Credit

Multiple opportunities to earn extra credit will be announced during class. However, students are limited to earning a maximum of 25 extra credit points (five percent) during the semester. Any points earned above 5% will NOT be applied to the final grade.

 

 

 

 

 

Class Schedule and Required Reading
Please complete and be prepared to discuss the assigned readings before the date they will be presented in class. This is a tentative schedule, and may be changed by the instructor at any point during the semester according to the needs of the class.
 
*RFA = Reclaiming Female Agency
**italicized title = article provided on "Assignments" page
 
Date
Discussion Topic
Assignment Due
January 18
Introduction
 
 
January 23
Evidence of Early Women Artists
 
Chadwick: Preface and Introduction
Slatkin:
Chapter 1
January 25
Women, Venus & Magic
 
 
January 30
Man Becomes the Measure
 
Slatkin: Chapters 2 - 6
February 1
Fear and Loathing  
 
February 6
The Middle Ages
 

Chadwick: Chapter 1
Slatkin: Chapter 7
Why Have There Been No Great Women Artists?

February 8
A Rebirth?
Learning Community 1
Chadwick: Chapter 2
Slatkin:
Chapter 8
 
February 13
The Virtuosa
Quiz #1
RFA: Here's Looking at Me
February 15
The Bologna Connection
Compendium Pages Set 1
RFA: The Antique Heroines of Sirani
 
February 20
President's Day - NO CLASS
February 22
Arte Gentileschi
 
Chadwick: Chapter 3
Who Was the Real Artemisia?
 
February 27
Baroque Theatrics
 
February 29
The Renaissance in the North
Learning Community 2

Chadwick: Chapter 4
Slatkin: Chapter 9

 
March 5
Enlightened Women
Quiz 2
Chadwick: Chapter 5
Slatkin:Chapters 10 & 11
March 7
Hierarchies
 
RFA: The Portrait of the Queen & Depoliticizing Women
 




March 12
Art & Revolution
Compendium Pages Set 2
Slatkin: Chapter 12
March 14
Sister Suffragette!
 
Chadwick: Chapters 6 & 7
Slatkin: Chapter 13
 
March 19
Spring Break
March 21
 
March 26
Strange Sisterhood
 
March 28
The Kodak Girl
Learning Community 3
Chadwick: Chapter 8
Slatkin: Chapter 14
RFA: New Encounters with Les Demoiselles D' Avignon
 
 
April 2
The New Woman
Quiz #3

Chadwick: Chapter 9
Slatkin: Chapter 15
RFA: Mary Cassatt - Modern Woman or the Cult of True Womanhood?

April 4
Modern Avant- Garde  
 
April 9
Healing the Madness
Compendium Pages Set 3
 
Chadwick: Chapter 10
Slatkin: Chapter 17
The Lives of Hannah Hoch
April 11
Women Outside the Isms
 
 
April 16
Everything's Rosie?
 
April 18
The New American Art

Learning Community 4

Chadwick: Chapter 11
Slatkin: Chapter 17
RFA: Reconsidering the Stain

 
April 23
Seductive Subversion
Quiz #4
 
April 25
Mind & Matter
  Minimalism and Biography
 
April 30
Sexual Politics
Compendium Pages Set 4
Chadwick: Chapter 12
Slatkin: Chapter 18
RFA: The "Sexual Politics" of the Dinner Party
May 2
The Artist's Body
 
 
May 7
The Personal is Political

 

Chadwick: Chapter 13
May 9
Reclaiming the Gaze
 
 
May 14
Appropriation
Learning Community 5

Chadwick: Chapter 14

May 16
Where Do We Go From Here?
Compendium Pages Set 5
Exhibition & Event Reports

Chadwick: Chapter 15
Slatkin: Chapter 19
Who Are the Great Women Artists?

 
May 23
Grade Appointments 2:15 - 4:45 pm

 

 

Recommended Periodicals Regularly Featuring Women Artists
Art in America
Frieze
Artforum
Modern Painters
ArtNews
Make/ Shift
BITCH
Woman's Art Journal

 

 

Have you considered in A.A. in ART HISTORY?

The Art History program prepares students for transfer to four-year colleges and universities and for careers in education, museums, research, and related fields. Students learn the major theories and artistic movements in Art and Architecture from the ancient to the modern world, and evaluate the influences that social, political, and religious institutions have in the creation of art. The program addresses the dynamic fields of both Western and Non-Western Art and Architecture, as well as the critical roles that Photography, Contemporary Art, and Graphic Design have in shaping our society. Students should consult with the intended transfer institution to determine the appropriate courses to complete at Chaffey.

To obtain an Associate's Degree in Art History, students must complete both the major requirements below and the graduation requirements listed on pages 24-25 of the college catalog.

Major requirements for the Associate in Arts Degree:
Art 1 Contemporary Art: 1945 - Present
Art 3 Art History of the Western World: Ancient to Medieval
Art 5 Art History of the Western World: Renaissance to Modern

Plus one studio course:
Art 10 Fundamentals of Design in Two Dimensions
Art 12 Fundamentals of Design in Three Dimensions
Art 14 Introduction to Drawing
Art 18 Introduction to Ceramics
Photo 7 Introduction to Digital Photography
Photo 10 Beginning Photography

Plus one course from the following:
ART 9 Art of the Pre-Columbian Americas (Non-Western)
ART 11 Asian Art History (Non-Western)
ID 13 Non-European Architecture and Design (Non-Western)

Plus two courses from the following:
ART 6 Women Artists in History
ART 407 History of Design
PHOTO 1 History of Photography

or,

Plus two courses from the following:*
ART 10 Fundamentals of Design in Two Dimensions
ART 12 Fundamentals of Design in Three Dimension
ART 14 Introduction to Drawing
ART 18 Introduction to Ceramics
PHOTO 7 Introduction to Digital Photography
PHOTO 10 Beginning Photography

 

 

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