Introduction
Welcome to the History of Photography!
An introduction to the material we will be considering...

Louis
Jacques Mande Daguerre. Still Life in Studio. 1837. Daguerreotype.
Richard G. Tansey & Fred S. Kleiner. Gardner's
Art Through the Ages. Tenth ed. Fort Worth: Harcourt Brace College Publishers,
1996, p. 959.

Louis
Jacques Mande Daguerre. Le Boulevard Du Temple. 1839. Daguerreotype.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice Hall, Upper Saddle River, NJ, 2002.

Julia Margaret Cameron. Portrait of Thomas Carlyle. 1867.

Eadweard Muybridge. Galloping Horse, Motion Study-Sallie Gardner. June 19, 1878.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice Hall, Upper Saddle River, NJ, 2002.

William Fox Talbot. The Open Door. 1843.

Nadar.
Sarah Bernhardt. 1855. Photograph printed from a collodion negative.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice Hall, Upper Saddle River, NJ, 2002.

Edgar Degas. Ballet Class.

Marcel
L.H.O.O.Q. 1919.
Preble,
Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice
Hall, Upper Saddle River, NJ, 2002.

Hans Bellmer. The Doll. c. 1934.

Alexander
Gardner. Carnage at Antietam, September 1862. Wet-plate photograph.
Richard G. Tansey & Fred S. Kleiner. Gardner's
Art Through the Ages. Tenth ed. Fort Worth: Harcourt Brace College Publishers,
1996, p. 962.

Dorothea Lange. Migrant Mother, Nipomo, California. 1936.

Richard Hamilton. Just What is it That Makes Today's Homes So Different, So Unique? 1956.

Andy Warhol. Marilyn Diptych. 1962.

Diane Arbus. Child with a toy hand
grenade. 1970.
Rubinfien,
Leo. "Where Diane Arbus Went." Art in America. October, 2005.
65 - 77.

Cindy Sherman. Untitled Film Still #48. 1979.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. Seventh ed. Prentice Hall, Upper Saddle River, NJ, 2002.

Andres Serrano. Piss Christ. 1987.

Henri Cartier-Bresson. Rue Mouffetard,
Paris. 1958.
20th Century Photography Museum Ludwig Cologne.
Taschen, Koln, 2005.