Impact of the Hand-Held |
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Alfred Stieglitz. The Terminal. 1892. Photogravure. http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=69300&handle=li |
Reminder - Book Pagess 11 - 15 Due on Tuesday |
In 1888, George Eastman introduces the "Kodak #1 " Hand-held
Camera |
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Sold for $25, more than $450 today |
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Included Eastman Kodak's newly patented transparent roll film |
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By 1898, an estimated 1.5 million roll-film cameras had been sold to amateurs |
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http://www.hfmgv.org/exhibits/pic/1999/kodakadb.jpg |
Kodak #1 Camera |
Kodak Brownie Ad. 1900. |
1900 first Brownie camera released and is sold for $1 |
150,000 cameras sold the first year |

Artist Unknown. The Kodak Girl. c. 1910.
Marien, Mary Warner. Photography: A cultural History. Second edition. Upper Saddle River, NJ: Prentice Hall, 2006.
At a time when people were beginning to feel the alienating effects of modern urban living, the hand-held camera gave the individual a means of expression and a voice |
Jacques-Henri Lartigue. Bois De Boulogne. c. 1890. |

Beach photographer c. 1890
http://www.flickr.com/photos/nationalmediamuseum/2780165377/sizes/o/in/photostream/

Baby elephant at the zoo c. 1890
http://www.flickr.com/photos/nationalmediamuseum/2781021952/sizes/m/in/photostream/
snapshot = to shoot instinctively without taking aim

Photo-Revolver de Poche c. 1882.
http://www.geh.org/fm/mees/htmlsrc/mE58300001_ful.html#topofimage
Snapshot
introduced new ways of seeing: |
Unknown Photographer. Two Young Girls. c. 1890. |
Informal
framing |
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Unbalanced
compositions |
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Skewed angles |
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Strange
perspectives |
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Banal subjects |
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Out-of-focus
objects
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Jacques-Henri Lartigue
1894 - 1988

Jacques-Henri Lartigue. My Hydro-glider
with Propeller. 1904.
http://www.masters-of-photography.com/L/lartigue/lartigue_hydroglider_full.html

Jacques-Henri Lartigue. My Cousin Bichonnade. 1905.
Marien, Mary Warner. Photography: A cultural History. Second edition. Upper Saddle River, NJ: Prentice Hall, 2006.

Jacques-Henri Lartigue. Delaye
Grand Prix. 1912.
20th Century Photography Museum Ludwig Cologne.
Taschen, Koln, 2005.
Organized social reform movements in America that began during the late 19th century: |
Suffrage parade in New York City, May 6, 1912. |
Abolitionism |
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Woman's Suffrage Movement |
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Prohibition/ Temperance Movement |
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Public Education Reform Movement |
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Social documentary style emerged in the 19th century in response to: |
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Popular social reform movements |
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Continued interest in recording the wonders of the world |
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Availability and accessibility of the hand-held camera |
Jacob Riis
1849 - 1914

Lewis Hine. Immigrants Going Down Gangplank. 1905.
source unkown

Jacob Riis. Bandits'
Roost, New York. 1888.
Newhall, Beaumont. The History of Photography.
The Museum of Modern Art, New York. 1982.
muckraker = journalist who investigates and exposes societal issues |

Jacob Riis. Home
of an Italian Ragpicker, New York. 1888.
Newhall, Beaumont. The History of Photography.
The Museum of Modern Art, New York. 1982.
Riis consistently
argued that the "poor were the victims rather than the makers of their fate" |
Jacob Riis. Street Arabs. c. 1880s. |
Social Darwinism
= belief that society's evolve like organisms and only the fit will survive, while the weak and unfit should be allowed to die and go extinct |
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An important aspect of this line of thinking was the belief that poverty was a just reward for sin |
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Social Uplift
= belief that crime is an effect of poverty rather than its cause |
Lewis Hine
1874 - 1940

Lewis Hine. Breaker Boys Working in Ewen Breaker of Pennsylvania Coal Co. 1911.
http://argenteditions.com/breaker-boys-working-ewen-breaker-pennsylvania-coal-p-23.html

Lewis Hine. Francis Lance, Five Year Old Newsboy. 1910.
http://argenteditions.com/francis-lance-year-old-newsboy-p-24.html
Lewis Hine. Addie Card, Twelve Year Old Spinner in New England Mill . 1913. |
1907 government inquiry revealed that at least 1,750,178 children between 10 and 15 years old were working in US factories |
In cotton mills, almost 50% of the workers were an average of 10 years old |
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Lewis Hine. Oyster Openers.
1913.
20th Century Photography Museum Ludwig Cologne.
Taschen, Koln, 2005.
"Hine
exposed the myth that everyone could pull themselves up by their bootstraps
and succeed in America." - Robert Hirsch |

Lewis Hine. Steelworker, 85 Stories Up. c. 1931.
"There
were two things I wanted to do. I wanted to show the things that had
to be corrected; I wanted to show the things that had to be appreciated"
- Lewis Hine |
Lewis Hine's Men at Work series